{"product_id":"american-cinematographer-magazine-september-2024","title":"American Cinematographer Magazine ( September 2024 )","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAmerican Cinematographer Magazine ( September 2024 )\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe September 2024 issue presents a special focus on \u003cb\u003einternational production\u003c\/b\u003e, including coverage of \u003cb\u003e\u003ci\u003eFuriosa: A Mad Max Saga\u003c\/i\u003e\u003c\/b\u003e,\u003cb\u003e \u003ci\u003eKneecap\u003c\/i\u003e\u003c\/b\u003e,\u003cb\u003e\u003ci\u003e The Mother of All Lies\u003c\/i\u003e\u003c\/b\u003e, \u003cb\u003e\u003ci\u003eWelcome to Wrexham \u003c\/i\u003e\u003c\/b\u003eand \u003cb\u003e\u003ci\u003eMy Old Ass\u003c\/i\u003e\u003c\/b\u003e, as well as a commemoration of the \u003cb\u003eSteadicam’s 50th anniversary\u003c\/b\u003e and a discussion of \u003cb\u003elens distortion\u003c\/b\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eASC President Shelly Johnson\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e reflects on his experiences shooting around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eSimon Duggan, ASC, ACS \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ebreaks down his approach to George Miller’s action spectacle \u003cb\u003e\u003ci\u003eFuriosa: A Mad Max Saga\u003c\/i\u003e\u003c\/b\u003e — and gaffer \u003cb\u003eShaun Conway\u003c\/b\u003e, camera operator \u003cb\u003eMark Goellnicht \u003c\/b\u003eand 2nd-unit action director \u003cb\u003eGuy Norris\u003c\/b\u003e shed light on their contributions to the Australia-based production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eSteadicam\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e inventor and ASC associate member \u003cb\u003eGarrett Brown \u003c\/b\u003ediscusses the birth and evolution of the camera stabilizer — and the international community surrounding the technology — which is marking its 50th anniversary. Steadicam operators \u003cb\u003eP. Scott Sakamoto \u003c\/b\u003eand \u003cb\u003eKate Eccarius \u003c\/b\u003eadd their perspectives on using the groundbreaking system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eRyan Kernaghan, ISC \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003edetails his work on the Irish hip-hop comedy \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eKneecap\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, directed by Rich Peppiatt. \u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cspan\u003eTunisian cinematographer \u003cb\u003eHatem Nechi, TSC \u003c\/b\u003ediscusses his approach to the unconventional Moroccan documentary \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eThe Mother of All Lies\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, directed by \u003cb\u003eAsmae El Moudir\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cspan\u003eCinematographer \u003cb\u003eKristen Correll\u003c\/b\u003e shares her strategy for shooting Megan Park’s indie feature \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eMy Old Ass \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003ein Muskoka, Ontario, Canada.\u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cspan\u003eCinematographers \u003cb\u003eCraig Hastings\u003c\/b\u003e, \u003cb\u003eLeighton Cox\u003c\/b\u003e and \u003cb\u003eVerdy Oliver\u003c\/b\u003e, and showrunner-director \u003cb\u003eBryan Rowland\u003c\/b\u003e,\u003cb\u003e \u003c\/b\u003ediscuss the Emmy-winning documentary series \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eWelcome to Wrexham\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, about a Welsh town and its beloved football club. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eShot Craft:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e A look at \u003cb\u003eunderstanding lens distortion\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eClubhouse News:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e The latest bulletins from the Society feature new members \u003cb\u003eEric Moynier \u003c\/b\u003eand \u003cb\u003eDu Jie\u003c\/b\u003e; a sold-out ASC Master Class focused on film; an \u003cb\u003eEducation \u0026amp; Outreach \u003c\/b\u003epanel for College of Southern Nevada students and AMPAS Academy Gold participants; Manaki Brothers International Cinematographers’ Film Festival Lifetime Achievement honoree \u003cb\u003eBruno Delbonnel, ASC, AFC\u003c\/b\u003e; and an \u003cb\u003eASC Master Class\u003c\/b\u003e for Taiwanese cinematographers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eWrap Shot:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eMad Max: Fury Road\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, shot by \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eJohn Seale, ASC, ACS \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand directed by \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eGeorge Miller\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e","brand":"American Cinematographer","offers":[{"title":"Default Title","offer_id":49280113639594,"sku":"zly1789763813204","price":4.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/9518\/1738\/files\/american-cinematographer-magazine-september-2024_1.webp?v=1789763816","url":"https:\/\/palmshadewear.shop\/products\/american-cinematographer-magazine-september-2024","provider":"My Store 2","version":"1.0","type":"link"}