{"product_id":"american-cinematographer-magazine-september-2022","title":"American Cinematographer Magazine ( September 2022)","description":"\u003cp class=\"MsoNormal\"\u003eAmerican Cinematographer Magazine ( September 2022) \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eSeptember 2022\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eissue features a special focus on \u003c\/span\u003e\u003cstrong\u003enature and wildlife filmmaking\u003c\/strong\u003e\u003cspan\u003e, which includes a report on the award-winning documentary \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eTigre Gente\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e. Also covered are the production of the Afrofuturist musical \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eNeptune Frost\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e; a profile of \u003c\/span\u003e\u003cstrong\u003eRobert Elswit, ASC\u003c\/strong\u003e\u003cspan\u003e; a discussion of \u003c\/span\u003e\u003cstrong\u003elens coatings\u003c\/strong\u003e\u003cspan\u003e; and a look at the \u003c\/span\u003e\u003cstrong\u003emotion-capture technology\u003c\/strong\u003e\u003cspan\u003e deployed on the short film \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eLife Rendered\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eAC\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eexplores the rewards and challenges of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003enature and wildlife filmmaking\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ethrough conversations with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePaul Atkins, ASC\u003c\/strong\u003e;\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDereck Joubert\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSophie Darlington\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlastair Fothergill\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJeff Hester\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRoger Horrocks\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTania Escobar\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJamie McPherson\u003c\/strong\u003e; and others. Topics include the recent advances in\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003especialized-cinematography equipment\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ethat have made a critical difference in the field.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCinematographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEdward Roqueta\u003c\/strong\u003e, director\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eElizabeth Unger\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand others discuss their work on the award-winning documentary\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eTigre Gente\u003c\/em\u003e\u003c\/strong\u003e, about the illegal international jaguar trade.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cem\u003eNeptune Frost\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003eco-directors\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAnisia Uzeyman\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSaul Williams\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003edetail their approach to the independent production, which was shot in Rwanda with Uzeyman at the camera.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eASC and Academy Award winner\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRobert Elswit, ASC\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ereflects on his career and some of the collaborations that have shaped it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShot Craft: A look at\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003elens coatings\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e— vintage and modern — and how they affect the performance of a lens.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Virtual World: Cinematographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAntón Fresco\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEmma Needell\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ediscuss the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003elive-action\/mocap\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehybrid short film\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eLife Rendered\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClubhouse News: The latest bulletins from the Society feature an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eASC Master Class for Masters\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eon\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003evirtual production\u003c\/strong\u003e; the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e2022 ASC International Cinematography Summit\u003c\/strong\u003e; and new member\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSam McCurdy, ASC, BSC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWrap Shot: Filmmaker\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHoward Hall\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon shooting\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e3D Imax underwater\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ein the 1990s.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Cinematographer","offers":[{"title":"Default Title","offer_id":49280115048618,"sku":"ycx1789763916247","price":4.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/9518\/1738\/files\/american-cinematographer-magazine-september-2022_1.webp?v=1789763919","url":"https:\/\/palmshadewear.shop\/products\/american-cinematographer-magazine-september-2022","provider":"My Store 2","version":"1.0","type":"link"}