{"product_id":"american-cinematographer-magazine-october-2023","title":"American Cinematographer Magazine ( October 2023 )","description":"\u003cp class=\"MsoNormal\"\u003eAmerican Cinematographer Magazine ( October 2023 )\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eOctober 2023\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eissue presents coverage of \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eOppenheimer\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eAll That Breathes\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e; a look at \u003c\/span\u003e\u003cstrong\u003egenerative AI in filmmaking\u003c\/strong\u003e\u003cspan\u003e; updates from the \u003c\/span\u003e\u003cstrong\u003eASC Motion Imaging Technology Council\u003c\/strong\u003e\u003cspan\u003e; and a special focus on \u003c\/span\u003e\u003cstrong\u003elighting\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003efor horror and tension\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ethat includes the features \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Blackening\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eTalk to Me\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Exorcist: Believer\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSaw X\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Nun II\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePresident’s Desk:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eASC President Shelly Johnson\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003econsiders the “filmmaking family” that sets this profession apart from many others.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHoyte van Hoytema, ASC, FSF, NSC\u003c\/strong\u003e, director\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eChristopher Nolan\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand key collaborators discuss using custom optics, 65mm film negative, macrophotography visual effects and other tools to create “experiential cinema” for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eOppenheimer\u003c\/em\u003e\u003c\/strong\u003e.\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCinematographers and leading technologists —\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDon Burgess, ASC\u003c\/strong\u003e;\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMichael Goi, ASC, ISC\u003c\/strong\u003e; ASC associate member\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMichael Cioni\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eof Strada;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGary Koepke\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePinar Seyhan Demirdag\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eof Cuebric;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJ. Wedding\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eof Orbital Studios; and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFelix Jorge\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eof Narwhal Studios — weigh in on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eartificial intelligence\u003c\/strong\u003e, with a spotlight on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003egenerative AI\u003c\/strong\u003e, and its ramifications for filmmaking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eAC\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003epresents a 20th-anniversary update from the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eASC Motion Imaging Technology Council\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eMITC\u003c\/strong\u003e), whose ongoing investigations currently include virtual production and in-camera visual effects, HDR for theatrical presentation, workflows, display technologies, optics standards, lighting advances, and AI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoy H. Wagner, ASC\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eoffers insights into\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ethe art of\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003elighting for horror and tension\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e— followed by a series of pieces on the fright-inducing lighting work of cinematographers\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTodd A. Dos Reis, ASC (\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Blackening\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e)\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAaron McLisky, ACS (\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eTalk to Me\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e)\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMichael Simmonds (\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Exorcist: Believer\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e)\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNick Matthews (\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eSaw X\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e)\u003c\/strong\u003e; and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTristan Nyby (\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Nun II\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e)\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCinematographers\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBen Bernhard, BVK\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRiju Das\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003edetail their work on the ASC Award-winning documentary\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eAll That Breathes\u003c\/em\u003e\u003c\/strong\u003e, directed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eShaunak Sen\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShot Craft: How to make the most of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epractical lights\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClubhouse News: The latest bulletins from the Society feature new member\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSimon Dennis, ASC, BSC\u003c\/strong\u003e; nominees for the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e2023 ASC Student Heritage Awards\u003c\/strong\u003e; an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eASC HDR workshop\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eat Sony; and a wrap-up of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAugust ASC Master Class\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWrap Shot: The nuclear test at Yucca Flat, a historic moment filmed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHarry Perry, ASC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Cinematographer","offers":[{"title":"Default Title","offer_id":49280113705130,"sku":"kkj1789763815482","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/9518\/1738\/files\/american-cinematographer-magazine-october-2023_1.webp?v=1789763819","url":"https:\/\/palmshadewear.shop\/products\/american-cinematographer-magazine-october-2023","provider":"My Store 2","version":"1.0","type":"link"}