{"product_id":"american-cinematographer-magazine-march-2025","title":"American Cinematographer Magazine ( March 2025 )","description":"\u003cp\u003eAmerican Cinematographer Magazine ( March 2025 ) \u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003eThe \u003cstrong\u003eMarch 2025\u003c\/strong\u003e issue presents a special focus on \u003cb\u003elighting\u003c\/b\u003e, including a discussion of onstage sun- and moonlight for \u003cb\u003e\u003ci\u003eStar Wars: Skeleton Crew\u003c\/i\u003e\u003c\/b\u003e, scaled lighting for \u003cb\u003e\u003ci\u003eWallace \u0026amp; Gromit: Vengeance Most Fowl\u003c\/i\u003e\u003c\/b\u003e and supplementing LED-wall illumination for \u003cb\u003e\u003ci\u003eFlight Risk\u003c\/i\u003e\u003c\/b\u003e — as well as a spotlight on \u003cb\u003eoptics\u003c\/b\u003e, including details on an innovative flaring technique for \u003cb\u003e\u003ci\u003eSkeleton Crew\u003c\/i\u003e\u003c\/b\u003e. Also featured in the issue are \u003cb\u003e\u003ci\u003eCaptain America: Brave New World\u003c\/i\u003e\u003c\/b\u003e and profiles of ASC Award honorees\u003cb\u003e John Simmons, ASC\u003c\/b\u003e; \u003cb\u003eJoan Churchill, ASC\u003c\/b\u003e; and \u003cb\u003eKathleen Kennedy\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003ePresident’s Desk: Shelly Johnson, ASC\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e discusses the devastating impact of the recent fires in Los Angeles and the launch of the ASC Relief Fund.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003ePicture Partners:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e Director \u003cb\u003eJulius Onah \u003c\/b\u003eand cinematographer \u003cb\u003eKramer Morgenthau, ASC \u003c\/b\u003eilluminate their approach to \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eCaptain America: Brave New World\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cspan\u003eASC members and co-directors of photography \u003cb\u003eSean Porter \u003c\/b\u003eand \u003cb\u003eDavid Klein \u003c\/b\u003ediscuss their collaboration on the series \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eStar Wars: Skeleton Crew\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, and how they designed strategies to complement limitations they encountered, “rather than fight them,” as Porter says.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cspan\u003eCinematographer \u003cb\u003eDave Alex Riddett, BSC \u003c\/b\u003edetails how he and his team at Aardman Animations created classic noir and suspense motifs for the stop-motion caper \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eWallace \u0026amp; Gromit: Vengeance Most Fowl\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eASC Presidents Award \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ehonoree \u003cb\u003eJohn Simmons, ASC \u003c\/b\u003etraces his path from Chicago to Hollywood and his quest to create an inclusive filmmaking community.\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cspan\u003eInaugural \u003cb\u003eASC Lifetime Documentary Award \u003c\/b\u003erecipient \u003cb\u003eJoan Churchill, ASC \u003c\/b\u003ediscusses her singular contributions to the nonfiction genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cspan\u003eProducer and \u003cb\u003eASC Governors Award \u003c\/b\u003ehonoree \u003cb\u003eKathleen Kennedy \u003c\/b\u003erecalls her Hollywood journey from production assistant to president of Lucasfilm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eThe Virtual World:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e Cinematographer \u003cb\u003eJohnny Derango \u003c\/b\u003eand visual-effects supervisor \u003cb\u003eMichael Ralla \u003c\/b\u003edetail their approach to virtual production on \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eFlight Risk\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, a thriller set in a Cessna 208 aircraft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eIn Memoriam:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eRexford L. Metz, ASC\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e·       \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eClubhouse News:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e The latest bulletins from the Society feature new members \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eSevdije Kastrati Dill\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eNatalie Kingston\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eAlejandro Martínez \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eRavi Varman\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand a tribute to photographer \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eJacek Laskus, ASC, PSC \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand the team that facilitated portraits of this year’s ASC Award honorees.\u003c\/span\u003e\u003c\/p\u003e","brand":"American Cinematographer","offers":[{"title":"Default Title","offer_id":49280113672362,"sku":"fnf1789763813312","price":4.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/9518\/1738\/files\/american-cinematographer-magazine-march-2025_1.webp?v=1789763816","url":"https:\/\/palmshadewear.shop\/products\/american-cinematographer-magazine-march-2025","provider":"My Store 2","version":"1.0","type":"link"}