{"product_id":"american-cinematographer-magazine-march-2023","title":"American Cinematographer Magazine ( March 2023)","description":"\u003cp class=\"MsoNormal\"\u003eAmerican Cinematographer Magazine ( March 2023)  \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eMarch 2023\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eissue offers coverage of \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003e III\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe White Lotus\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eEO\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eEmily\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e — as well as a reconsideration of \u003c\/span\u003e\u003cstrong\u003einverse-square law\u003c\/strong\u003e\u003cspan\u003e, a cornerstone of the cinematographer’s craft. Also presented are a special feature on the use of \u003c\/span\u003e\u003cstrong\u003eplate photography in an LED volume\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eon the indie \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSympathy for the Devil\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e and a spotlight on \u003c\/span\u003e\u003cstrong\u003enew products\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003edesigned for virtual production\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIn his monthly column,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eASC President Stephen Lighthill\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eponders virtual production, artificial intelligence and the future of cinematography.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eKramer Morgenthau, ASC\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand director-star\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMichael B. \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ediscuss taking Adonis “Donnie” back into the ring for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003e III\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cem\u003eThe White Lotus\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003ecreator-director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMike White\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand frequent collaborator\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eXavier Grobet, ASC, AMC\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003edetail their approach to the series’ second season, which was shot in Italy.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMichał Dymek, PSC\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003evisualizes a resilient donkey’s remarkable journey for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eEO\u003c\/em\u003e\u003c\/strong\u003e, directed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJerzy Skolimowski\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCinematographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSteven Holleran\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eYuval Adler\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eexplain how they used an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLED-wall stage\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eplate photography\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eto situate extensive driving scenes on the streets of Las Vegas for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSympathy for the Devil\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGlobal Village: Director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFrances O’Connor\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand cinematographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNanu Segal, BSC\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ediscuss creating a poetic handheld aesthetic for the period drama\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eEmily\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShot Craft:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eInverse-square law\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003egets an update thanks to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eASC associate member Tim Kang\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClubhouse News: The latest bulletins from the Society feature new members\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAri Wegner\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTodd Banhazl\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWilliam Rexer II\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndrew Droz Palermo\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJean-Marie Dreujou\u003c\/strong\u003e, and coverage of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eASC MITC’s “Lens Days 2022\u003c\/strong\u003e.\u003cstrong\u003e”\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew Products and Services: The monthly department features a special focus on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003evirtual-production technologies\u003c\/strong\u003e, along with other filmmaking-product launches.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWrap Shot:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eRocky\u003c\/em\u003e\u003c\/strong\u003e, shot by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJames Crabe, ASC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Cinematographer","offers":[{"title":"Default Title","offer_id":49280114458794,"sku":"ijf1789763866386","price":4.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/9518\/1738\/files\/american-cinematographer-magazine-march-2023_1.webp?v=1789763869","url":"https:\/\/palmshadewear.shop\/products\/american-cinematographer-magazine-march-2023","provider":"My Store 2","version":"1.0","type":"link"}