{"product_id":"american-cinematographer-magazine-march-2022","title":"American Cinematographer Magazine ( March 2022)","description":"\u003cp class=\"MsoNormal\"\u003eAmerican Cinematographer Magazine ( March 2022)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarch 2022\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eissue presents an interview with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRoger Deakins, ASC, BSC\u003c\/strong\u003e; coverage of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Card Counter\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Hand of God\u003c\/em\u003e\u003c\/strong\u003e; a Filmmakers’ Forum with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJaron Presant, ASC\u003c\/strong\u003e; a discussion on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003etechvis and virtual production\u003c\/strong\u003e; and more. Here’s a look at this month’s slate:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eAC\u003c\/em\u003e’s editor-in-chief Stephen Pizzello engaged in an interview with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRoger Deakins, ASC, BSC\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto analyze six of the renowned cinematographer’s favorite films. Excerpts from their conversation reveal Deakins’ choices and how they have influenced his perspective on filmmaking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCinematographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlexander Dynan\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand writer-director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePaul Schrader\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ediscuss the transcendental style they brought to the drama\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Card Counter\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCinematographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDaria D'Antonio\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ereflects upon her work on the Netflix feature\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Hand of God\u003c\/em\u003e\u003c\/strong\u003e, written and directed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePaolo Sorrentino\u003c\/strong\u003e, who took an autobiographical and visually evocative approach to the story.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eJaron Presant, ASC\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epresents an overview on applying\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“x,y” chromaticity\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eto lighting strategies, and how these techniques can benefit cinematographers using LED units.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eAC\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores the role of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003etechnical-visualization\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e— aka “techvis” — preproduction techniques in the preparation of virtual-production setups.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShot Craft: A look at\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ementorship\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ethrough discussions with Society members about their mentors — what they learned, how their mentors helped them progress in their careers, and how they pay it forward to the next generation of filmmakers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClubhouse News: The latest bulletins from the Society feature the welcoming of new members\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlex Disenhof\u003c\/strong\u003e,\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eSimon Duggan\u003c\/strong\u003e,\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMagdalena Gorka\u003c\/strong\u003e,\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLachlan Milne\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eRoman Vasyanov\u003c\/strong\u003e; Society members’ gathering on the East Coast; and a virtual workshop on cinematography, headlined by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlice Brooks, ASC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWrap Shot: An image of director\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMartin Scorsese\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand cinematographer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRobert Richardson, ASC\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ealongside members of the cast and crew on the set of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eCasino\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Cinematographer","offers":[{"title":"Default Title","offer_id":49280114426026,"sku":"qpo1789763865070","price":4.64,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/9518\/1738\/files\/american-cinematographer-magazine-march-2022_1.webp?v=1789763868","url":"https:\/\/palmshadewear.shop\/products\/american-cinematographer-magazine-march-2022","provider":"My Store 2","version":"1.0","type":"link"}