{"product_id":"american-cinematographer-magazine-july-2023","title":"American Cinematographer Magazine ( July 2023 )","description":"\u003cp class=\"MsoNormal\"\u003eAmerican Cinematographer Magazine ( July 2023 )\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJuly 2023\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eissue presents a special focus on television\/streaming production, which includes reporting on the series\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eDead Ringers\u003c\/em\u003e\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003ePoker Face\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSchmigadoon!\u003c\/em\u003e\u003c\/strong\u003e, and a discussion of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003easpect ratios for home exhibition\u003c\/strong\u003e. Also featured is a spotlight on visual effects, with a piece on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ethe\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eevolving collaboration\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ebetween cinematographers and VFX artists, and a profile of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Dykstra, ASC\u003c\/strong\u003e. Alongside this coverage are a tribute to the late\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWilmer “Bill” Butler, ASC\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand an expanded\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNew Products \u0026amp; Services\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edepartment.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCinematographers\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJody Lee Lipes, ASC\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLaura M. Gonçalves\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eshare their approach to a “heightened reality” for the dramatic series\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eDead Ringers\u003c\/em\u003e\u003c\/strong\u003e.  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirector of photography\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJon Joffin, ASC\u003c\/strong\u003e, showrunner\/co-creator\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCinco Paul\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand Company 3 colorist\/ASC associate member\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJill Bogdanowicz\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ediscuss creating a three-strip Technicolor look for Season 2 of the musical-comedy series\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSchmigadoon!\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCinematographers\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSteve Yedlin, ASC\u003c\/strong\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJaron Presant, ASC\u003c\/strong\u003e; and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChristine Ng\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eexplain how they each found unique angles for Rian Johnson’s series\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003ePoker Face\u003c\/em\u003e\u003c\/strong\u003e, an affectionate homage to 1970s detective shows.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eASC members\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDariusz Wolski\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRobert Legato\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGreig Fraser\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMagdalena Górka\u003c\/strong\u003e, as well as VFX supervisor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePaul Lambert\u003c\/strong\u003e, offer their perspectives on the evolving art of visual effects, a topic\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAC\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewill explore further in a new periodic column,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe VFX Perspective.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrailblazing cinematographer and visual-effects expert\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Dykstra, ASC\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003elooks back on his storied career.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShot Craft: A look at the wider world of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003easpect ratios for home exhibition.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIn Memoriam:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAC\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eremembers\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWilmer “Bill” Butler, ASC\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClubhouse News: The latest bulletins from the Society feature the election of ASC President\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eShelly Johnson,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e1st Vice President\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCharlie Lieberman\u003c\/strong\u003e, 2nd Vice President\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Simmons\u003c\/strong\u003e, 3rd Vice President\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePatti Lee\u003c\/strong\u003e, Treasurer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCharles Minsky\u003c\/strong\u003e, Secretary\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDejan Georgevich\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand Sergeant-at-Arms\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChristopher Chomyn\u003c\/strong\u003e, and new Board of Governors members\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Bailey\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePatrick Cady\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMinsky\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEric Steelberg\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMandy Walker\u003c\/strong\u003e, as well as alternate Board members\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKarl Walter Lindenlaub\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGeorgevich\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDenis Lenoir\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSteven Poster\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMark Irwin\u003c\/strong\u003e. 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